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DTSTART:20230101T000000
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BEGIN:VEVENT
DTSTART;TZID=Asia/Tbilisi:20250411T180000
DTEND;TZID=Asia/Tbilisi:20250615T180000
DTSTAMP:20260611T085736
CREATED:20250327T083607Z
LAST-MODIFIED:20250328T065911Z
UID:26551-1744394400-1750010400@art.gov.ge
SUMMARY:Guram Gelovani Retrospective Exhibition
DESCRIPTION:Guram Gelovani is a significant figure in Georgian painting of the 1950s. During this period\, the dominant artistic demand was to depict themes portraying a “happy Soviet life.” However\, ideological pressure often conflicted with the freedom of artistic expression. Despite these constraints\, remarkable artists emerged\, creating high art rooted in a strong academic tradition.\nGelovani began actively participating in all-Union and international exhibitions in 1955. In 1958\, his painting Youth was awarded a diploma and a gold medal by the Union of Artists and the Ministry of Culture. In 1965\, his work Family from Dusheti received the Gold Medal of the Union Academy of Arts. His paintings have since become museum classics\, reflecting the spirit of their time.\nThis is the first solo exhibition of the artist at the National Gallery. The exhibition will feature approximately 60 works from the Georgian Art Museum\, the National Gallery\, and private family collections. A highlight of the exhibition is the restoration of Industrial Landscape (1961)\, one of Gelovani’s largest works\, which will be displayed for the first time in 60 years.\nGelovani’s artistic range is extensive. Alongside his monumental panels\, the exhibition will showcase his lesser-known lyrical landscapes\, as well as portraits and graphic sketches created in an impressionistic style. \nFrom April 11 to June 15\, 2025\, the Dimitri Shevardnadze National Gallery will present a retrospective exhibition of the works of artist Guram Gelovani. \nExhibition opening – April 11\, 6:00 PM \n  \n  \n 
URL:https://art.gov.ge/en/event/guram-gelovani-retrospective-exhibition/
LOCATION:Georgian National Gallery\, 11 Rustaveli ave\, Tbilisi\, Georgia\, 0179
CATEGORIES:Classics,Exhibitions,Galleries,Invitation
ATTACH;FMTTYPE=image/jpeg:https://art.gov.ge/wp-content/uploads/2025/03/Guram-gelovani.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tbilisi:20250327T140000
DTEND;TZID=Asia/Tbilisi:20250914T180000
DTSTAMP:20260611T085736
CREATED:20250314T123423Z
LAST-MODIFIED:20250319T215606Z
UID:26485-1743084000-1757872800@art.gov.ge
SUMMARY:Mose Toidze
DESCRIPTION:  \nMose Toidze\nMarch 27 – September 14\, 2025\nSighnaghi Museum of History and Ethnography \nThe Sighnaghi Museum of History and Ethnography is pleased to announce the exhibition Mose Toidze\, on view from March 27 to September 14\, 2025.\nA key representative of the first generation of professional Georgian artists\, Toidze was instrumental in shaping modern Georgian painting and was the founder of the People’s Art Studio. His work played a crucial role in merging Georgian artistic traditions with European influences\, reflecting the dynamic evolution of national art.\nSpanning classical academic painting to modernist experimentation\, Toidze’s artistic legacy is both diverse and significant. His contributions to the history of Georgian art remain invaluable\, securing his place as one of its central figures.\nThe exhibition will present up to 50 paintings and graphic works drawn from the collections of the Shalva Amiranashvili Art Museum of Georgia and the Ioseb Grishashvili Tbilisi History Museum of Georgian National Museum.
URL:https://art.gov.ge/en/event/mose-toidze/
LOCATION:Sighnaghi Museum of History and Ethnography\, Shota Rustaveli # 8\, Sighnaghi\, Georgia
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://art.gov.ge/wp-content/uploads/2025/03/3.-mose-toidze-el-ბანერი.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tbilisi:20250219T100000
DTEND;TZID=Asia/Tbilisi:20250406T180000
DTSTAMP:20260611T085736
CREATED:20250206T085740Z
LAST-MODIFIED:20250206T105151Z
UID:26414-1739959200-1743962400@art.gov.ge
SUMMARY:Alexandre Bandzeladze and Abstract Art
DESCRIPTION:  \nAlexandre (Shura) Bandzeladze (1927–1992) \nAlexandre Bandzeladze\, a Georgian artist\, is closely associated with the development of abstract expressionism in Georgia. After David Kakabadze\, he significantly advanced abstractionist painting in Georgia\, laying the foundation for a new era in the country’s contemporary art. \nBandzeladze was born in 1927 in a small Siberian village. His family returned to Georgia and settled in Zestaponi after his father’s exile for revolutionary activities. In 1942\, Bandzeladze began studying at the Tbilisi Art School\, later transformed into the Tbilisi Academy of Fine Arts. However\, he was expelled from the school for criticizing the regime. Years later\, as an established artist\, he received his diploma at the Academy’s initiative. \nBandzeladze’s oeuvre is multifaceted. In the early 1950s\, he focused extensively on portraits\, creating works such as the portraits of Galaktion Tabidze and Dodo Chichinadze. Book illustration was also significant to him. He has reworked numerous illustrations for The Knight in the Panther’s Skin. In 1957\, he illustrated five books\, including Ernest Hemingway’s The Old Man and the Sea and Folk Poems of Arsena. These works brought him international recognition: in 1966\, he received a special diploma at the Brno Biennale\, and in 1967\, he won first place at a Leipzig competition. Religious art also held a prominent place in Bandzeladze’s work. The frescoes in the Didube Church and a church built on St. Gabriel’s initiative during the Soviet period act as notable examples. \nBandzeladze’s contribution to abstractionism was particularly remarkable. His works were largely unknown to the broader public during the Soviet era\, reaching only a narrow circle of admirers. His abstract works were first showcased in 1987 at a group exhibition. Bandzeladze’s art became a source of inspiration for young artists such as Gia Edzgveradze\, Ilia Zautashvili\, Gela Zautashvili\, Luka Lasareishvili\, and others\, who shared Bandzeladze’s interest in Eastern philosophy and abstraction.  In the 1980s\, Bandzeladze’s works began incorporating abstract surrealist elements. These compositions\, executed in dark gray tones\, stood out for their precision and depth in color and form. At the same time\, they maintained a Georgian identity and resisted Western influences. For Bandzeladze\, color and form were the primary tools that imbued his works with profound emotionality and depth. To this day\, Alexandre Bandzeladze remains one of the most significant figures in Georgian contemporary art\, with works that continue to captivate audiences. \nThe early examples of abstractionism in Georgia emerged as early as the beginning of the 20th century. Abstract works by David Kakabadze\, created during the dawn of the modernist era\, can be considered authentic avant-garde. During the Soviet period\, particularly in the 1980s\, a new wave of abstractionism appeared\, first in private and then in public spaces\, during the transformation era — the works of this generation of artists combined purely abstract and figurative elements. Signs of abstraction of objects and subjects gradually became more pronounced\, evolving into a formless\, formal artistic language. \nAbstract genres like collage and assemblage appeared episodically in the artists’ works from the 1950s and 1960s\, though their integration into broader artistic spaces was limited. The creative concepts of this period were often romanticized and infused with mythological elements\, while themes were predominantly rooted in socialist realist and national motifs. The main characteristics of these abstract works were their compositional balance and vibrant color palettes. As evidenced in Jibson Khundadze’s narratives\, the initial layers of these works were often sketched on canvas with pencil\, forming a foundation for subsequent layers and final compositions. This approach differed significantly from the artistic styles of later generations. \nThe abstract art of the 1970s-1990s in Georgia was a multifaceted and gradually evolving phenomenon that holds a unique place in contemporary art history. Alexandre Bandzeladze played a significant role in shaping a new generation of Georgian artists. Through his knowledge and creation of a free artistic space\, he inspired young artists to explore new directions in art. Initially\, some artists discovered the older generation’s inclination toward abstract art\, which became a source of motivation for those who only knew Bandzeladze through his portraits and illustrations. Bandzeladze actively collaborated with young artists\, sharing with them his own experience of not only aesthetic principles but also the spiritual significance of art. His mentorship laid the foundation for an unofficial school of abstract art in Georgia. Many artists participated in his secret workshops. Bandzeladze taught them to appreciate the beauty of curved lines\, to adopt painterly techniques\, and to perceive the canvas as both a material and a spiritual experience. \nIn the 1980s\, young artists emerged with a strong desire to explore truth and spirituality. They studied world religions\, theology\, and occult subjects. During this period\, contacts were also established with artistic circles in Moscow. In 1986\, at the Hermitage’s new gallery\, an avant-garde exhibition was held. In 1987\, a broader exhibition was organized at Tbilisi’s Blue Gallery (now the National Gallery)\, featuring artists such as Alexandre Bandzeladze\, Gia Edzgveradze\, Gela Zautashvili\, Ilia Zautashvili\, and Luka Lasareishvili. This event signaled that abstract art had begun to secure its place alongside other genres. Art academy students like Ilia Zautashvili and Gia Edzgveradze already had their artistic-ideological visions shaped by the contemporary political context\, particularly the impact of censorship\, which they experienced through canceled exhibitions. They faced significant challenges in defining their identity and style. Their manifestos – Intimate Concept and Intimate Action – acted as reflections of this process. Social aspects of abstract art in Georgia have to be considered. Socioeconomic and class issues often significantly influenced artistic movements. Furthermore\, local subcultures and dominant social discourse created favorable or obstructive conditions for the formation of new directions in art.
URL:https://art.gov.ge/en/event/alexandre-bandzeladze-and-abstract-art/
LOCATION:Dimitri Shevardnadze Georgian National Gallery\, 11 Rustaveli ave\, Tbilisi\, Georgia\, 0108
CATEGORIES:Exhibitions,Galleries
ATTACH;FMTTYPE=image/jpeg:https://art.gov.ge/wp-content/uploads/2025/02/Abstract-art-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tbilisi:20250115T100000
DTEND;TZID=Asia/Tbilisi:20250407T180000
DTSTAMP:20260611T085736
CREATED:20250112T005650Z
LAST-MODIFIED:20250201T040350Z
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SUMMARY:Valentin Sherpilov And His Students : Edmond Kalandadze\, Jibson Khundadze\, Zhani Medzmariashvili\, Zurab Nijaradze
DESCRIPTION:Valentin Sherpilov\n(Tbilisi\, 1911 – Tbilisi\, 1974) \nValentin Sherpilov was a Georgian painter known for his vibrant and expressive works. He began his artistic journey studying sculpture at the Tbilisi Academy of Arts (1932–1938). However\, upon the recommendation of the renowned artist Davit Kakabadze\, he shifted to the painting department and studied under Kakabadze’s mentorship. After graduating\, Sherpilov worked as an assistant to Mose Toidze in the painting department. In the late 1930s\, Sherpilov was dismissed from the academy due to accusations of promoting “incorrect ideas” (namely\, Impressionism) among students. Despite this setback\, he went on to teach at the Tbilisi Art School from 1938 to 1974\, mentoring multiple generations of artists. Sherpilov’s artistic repertoire included genre compositions\, portraits\, and scenes capturing the essence of everyday life in Tbilisi. His works are marked by an expressive use of color and a spontaneous\, free-flowing style. In the 1960s\, he developed a particular interest in the encaustic painting technique. Sherpilov’s contributions to the art world earned him the titles of Honored Artist and Honored Teacher of Georgia. \nHis works are preserved in prominent institutions\, including the Museum of Arts of Georgia\, the Georgian National Gallery\, the Oni Museum of Regional Studies\, the Tretyakov Gallery (Moscow)\, and the Museum of the Peoples of the East (Moscow). Additionally\, his pieces are held in private collections across Georgia and abroad.. \n  \nValentin Sherpilov\, both as a painter and educator\, is an extraordinarily Georgian phenomenon. Although ethnically Russian\, he dedicated his life to serving Georgian culture\, as fate or destiny had placed him here from the beginning. Georgian was his language\, his family environment was Georgian\, and Georgian traditions and customs shaped his spiritual world—an embodiment of his nobility and aristocratic character. \nDuring Sherpilov’s studies at the Tbilisi Academy of Arts\, prominent figures of Georgian culture such as Lansere\, Toidze\, Kakabadze\, and Bajbeuk-Melikov were teaching there. This naturally ensured a high standard of education and professionalism. Among them\, however\, Sherpilov held the deepest respect and gratitude for David Kakabadze\, who guided him and opened his eyes as a young artist. Like all true creators\, Sherpilov retained a keen thirst for learning until his death. He studied the principles of classical composition\, created copies of paintings by Tintoretto and Veronese\, and kept Delacroix’s diary as his constant reference\, striving to understand the secrets of painting techniques. He also devoted great interest to encaustic painting\, creating five works in this technique. Among these\, the most impressive is A Small Scene from Italian Life\, inspired by his travels in Italy. Although he spent only a few days there\, he returned with renewed strength\, saying\, “It feels like I’ve been reborn.” The painting transforms an ordinary\, everyday moment into a festival of colors\, vividly reflecting the artist’s unique voice. The richness of color in the work harmonizes with the marble-like texture characteristic of wax paint\, giving the piece the luxurious luster of polished stone. \nSherpilov’s thematic range was broad. Alongside portraits and landscapes\, he created numerous works on historical and revolutionary themes. While many of these pieces were products of their time\, influenced by the political and social processes of the era\, one undeniable quality stands out: the artist’s high level of professionalism. In every work\, the mastery of the painter is evident. \nSherpilov was a true colorist with impeccable “hearing\,” capable of translating his visions and emotions into the complex language of color. His painting paid particular attention to maximizing the expressive potential of color. This is why he was constantly learning\, exploring\, and experimenting. Valentin Sherpilov was an artist to his core. For him\, painting was not only a vocation but a spiritual necessity to which he devoted his entire life. Most importantly\, he passed on to us the ability to perceive the world through his unique vision—his sounds and forms\, colors\, and shadows. \nWith such selfless and almost sacrificial dedication to art\, Sherpilov inspired admiration and love among the younger generation. His life and work elevated the role of an artist and educator to a level of dignity. It is notable that the transformations in Georgian painting during the 1950s are associated with a group of artists whose formation was greatly influenced by Sherpilov as a teacher. These young artists (Edmond Kalandadze\, Jibson Khundadze\, Zhani Medzmariashvili\, Zurab Nijaradze\, among others) shaped the modern face of Georgian art. In Sherpilov’s works\, they particularly valued the Impressionist richness of color\, the impeccable knowledge of composition\, and mastery of drawing. Color\, as the primary emotional element\, took on a central role in the paintings. Its expressive power resonated boldly\, while the deepening of the expressive language brought an intimate\, chamber quality to the works.. \nSophio Ioseliani \n 
URL:https://art.gov.ge/en/event/valentin-sherpilov-and-his-students-edmond-kalandadze-jibson-khundadze-zhani-medzmariashvili-zurab-nijaradze/
LOCATION:Dimitri Shevardnadze Georgian National Gallery\, 11 Rustaveli ave\, Tbilisi\, Georgia\, 0108
CATEGORIES:Classics,Exhibitions,Galleries,Invitation
ATTACH;FMTTYPE=image/jpeg:https://art.gov.ge/wp-content/uploads/2025/01/V.-Sherpilov-1.jpg
ORGANIZER;CN="Georgian%20National%20Gallery":MAILTO:gng.exhibition@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tbilisi:20250111T170000
DTEND;TZID=Asia/Tbilisi:20250216T180000
DTSTAMP:20260611T085736
CREATED:20250120T190645Z
LAST-MODIFIED:20250206T182445Z
UID:26317-1736614800-1739728800@art.gov.ge
SUMMARY:Elene Rakviashvili - Medea's Garden
DESCRIPTION:  \n  \n  \nDimitri Shevardnadze National Gallery hosts Elene Rakviashvili’s exhibition Medea’s Garden. \nMedea’s Garden is a multimedia exhibition where the author revives the forgotten garden of Medea\, the queen and priestess of Colchis. The concept of Medea’s Garden as “the balance of life – the knowledge of nature\, the use of plants\, the dose – as the power that kills and heals”\, the exhibition space depicts the endemic plants used by Medea of ​​Colchis through various means of art. Elene Rakviashvili is a multidisciplinary artist\, after graduating from the Tbilisi State Academy of Arts\, she has been working in the fields of painting\, installation\, conceptual photography\, video and digital art. Her works are often focused on issues of identity\, environmental protection and urban development. The artist’s work is notable for its interest in social aspects – performance as a medium\, which turns the traditional method of painting on fabric with wine into an interactive process. \nThe exhibition will continue until February 16.
URL:https://art.gov.ge/en/event/elene-rakviashvili-medeas-garden/
LOCATION:Georgian National Gallery\, 11 Rustaveli ave\, Tbilisi\, Georgia\, 0179
CATEGORIES:Classics,Exhibitions,Galleries,Invitation
ATTACH;FMTTYPE=image/jpeg:https://art.gov.ge/wp-content/uploads/2025/01/IMG-e490635f18315eb1786da241524bb3d7-Vww.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tbilisi:20241218T140000
DTEND;TZID=Asia/Tbilisi:20250323T170000
DTSTAMP:20260611T085736
CREATED:20241210T202112Z
LAST-MODIFIED:20241211T172335Z
UID:26170-1734530400-1742749200@art.gov.ge
SUMMARY:The New Collection of the Museum of Arts of Georgia\, 2021-2023: Part 5
DESCRIPTION:  \nValerian Sidamon- Eristavi \nSergo Kobuladze \nVera Rockline-Schlesinger \nFelix (Varla) Varlamishvili \nIrina Stenberg \nBetween 2021 and 2023\, the Ministry of Culture of Georgia significantly expanded the collection of the Shalva Amiranashvili State Museum of Arts of Georgia\, with a particular focus on modern and contemporary Georgian art. This expansion added works by 122 Georgian artists\, many of whom were previously underrepresented in the museum’s holdings. \nThis newly acquired collection provides a compelling narrative of the evolution of Georgian art. It highlights an extensive range of graphic works created by artists during the 1950s and 1970s\, focusing on those who played key roles in advancing Georgian graphic art. The collection also includes works acquired after the group exhibition of non-conformist artists at the Sighnaghi Museum\, further enhancing its representation of diverse artistic movements. \nHowever\, the most significant additions to the collection are paintings from the 1980s and 1990s\, a pivotal period in Georgian painting that marks a transformative phase in the country’s artistic evolution. This collection highlights a selection of distinct artistic choices\, shedding light on the unique paths each artist took to transcend the limitations of their local environment. Through these works\, they merged their personal experiences with contemporary artistic movements. Notably\, the Ministry has acquired works by modernist artist Valerian Sidamon-Eristavi from the 1930s\, including pieces depicting the construction of Baku’s industrial zone. \nThe most significant additions to the collection are paintings from the 1980s and 1990s\, a transformative period in Georgian art. These works reflect the artists’ unique paths to transcend local limitations\, merging personal experiences with contemporary movements. Notably\, the Ministry has acquired 1930s works by modernist Valerian Sidamon-Eristavi\, including pieces depicting Baku’s industrial zone. \nSince 2022\, the opportunity has arisen to acquire works by renowned artists such as Sergo Kobuladze\, Alexander Bazhbeuk-Melikyan\, Felix Varlamishvili\, and Kirill Zdanevich\, as well as sculptures by Rusudan Gachechiladze\, Vazha Melikishvili\, Karlo Grigolia\, and Simon Girkelidze. \nThe presentation of the new collection of modern and contemporary Georgian art at the Shalva Amiranashvili State Museum of Arts is a gradual process. The fifth exhibition is currently on view at the Sighnaghi Museum from December 18\, 2024\, to March 23\, 2025.
URL:https://art.gov.ge/en/event/the-new-collection-of-the-museum-of-arts-of-georgia-2023-2024-part-5/
LOCATION:Signaghi Museum\, Shota Rustaveli # 8\, Signaghi\, Georgia
CATEGORIES:Classics,Exhibitions,Galleries,Invitation
ATTACH;FMTTYPE=image/jpeg:https://art.gov.ge/wp-content/uploads/2024/12/FB-banner-signagi.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tbilisi:20241109T180000
DTEND;TZID=Asia/Tbilisi:20250105T180000
DTSTAMP:20260611T085736
CREATED:20241107T080602Z
LAST-MODIFIED:20241107T132031Z
UID:25676-1731175200-1736100000@art.gov.ge
SUMMARY:Exhibition of works by Vakhtang Beridze\, Zachariah Maisuradze\, Longinoz Sumbadze and Rene Schmerling
DESCRIPTION:  \n  \nThe exhibition showcasing the works of Georgian art scholars Vakhtang Beridze\, Zachariah Maisuradze\, Longinoz Sumbadze\, and René Schmerling aims to illustrate the synthesis between scientific research and artistic creation. It seeks to demonstrate how these two domains mutually influenced and enriched each other. These four scholars represent the pioneering generation of art historians who established the foundation for the scholarly study of Georgian art. Beyond their seminal contributions to the field\, their distinctive biographies and creative endeavors – which merge intuitive\, emotional insights with rigorously structured academic research – constitute a significant and unique chapter in the history of XX-century Georgian Art. \nNino Sekhniashvili\nExhibition author \n 
URL:https://art.gov.ge/en/event/exhibition-of-works-by-vakhtang-beridze-zachariah-maisuradze-longinoz-sumbadze-and-rene-schmerling/
LOCATION:Dimitri Shevardnadze Georgian National Gallery\, 11 Rustaveli ave\, Tbilisi\, Georgia\, 0108
CATEGORIES:Exhibitions,Galleries,Invitation
ATTACH;FMTTYPE=image/jpeg:https://art.gov.ge/wp-content/uploads/2024/11/event-cover.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tbilisi:20241108T100000
DTEND;TZID=Asia/Tbilisi:20250407T180000
DTSTAMP:20260611T085736
CREATED:20241104T124635Z
LAST-MODIFIED:20250201T040544Z
UID:25406-1731060000-1744048800@art.gov.ge
SUMMARY:COPIES OF GEORGIAN FRESCOES FROM THE COLLECTION OF THE MUSEUM OF ARTS OF GEORGIA
DESCRIPTION:  \nThe exhibition showcases copies of medieval Georgian monumental art created by renowned Georgian artists in the early 20th century. These selected works represent a small portion of the rich collection at the Shalva Amiranashvili Museum of Arts. The creation of this collection can be attributed to the dedicated efforts of Ekvtime Takaishvili and Dimitri Shevardnadze\, both advocates for Georgian culture and museum development\, along with contributions from historical\, ethnographic\, and artistic societies. \nMajor expeditions aimed at studying Georgian culture began in the 1910s\, with enthusiastic participation from young artists who would later become prominent figures. The artifacts they produced are invaluable\, as many originals no longer exist or are severely damaged. \nThe copies and sketches of Georgian frescoes displayed at the National Gallery highlight important treasures of our cultural heritage\, each possessing distinct artistic value. The dates of the exhibited pieces indicate that these works mark the beginnings of the creative journeys of great Georgian artists such as David Kakabadze\, Lado Gudiashvili\, Shalva Kikodze\, Dimitri Shevardnadze\, and others. Each copy is rendered with close fidelity to the originals\, vivid expression\, and a unique artistic style. Exploring these copies is essential for studying the works of the featured artists.
URL:https://art.gov.ge/en/event/copies-of-georgian-frescoes-from-the-collection-of-the-museum-of-arts-of-georgia/
LOCATION:Dimitri Shevardnadze Georgian National Gallery\, 11 Rustaveli ave\, Tbilisi\, Georgia\, 0108
CATEGORIES:Classics,Exhibitions,Galleries,Invitation
ATTACH;FMTTYPE=image/jpeg:https://art.gov.ge/wp-content/uploads/2024/11/poster-fresco.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tbilisi:20241106T100000
DTEND;TZID=Asia/Tbilisi:20250407T180000
DTSTAMP:20260611T085736
CREATED:20241103T091205Z
LAST-MODIFIED:20250201T040712Z
UID:25279-1730887200-1744048800@art.gov.ge
SUMMARY:GEORGIAN PORTRAIT PAINTING OF THE 19TH CENTURY
DESCRIPTION:  \nThe exhibition features eighteen 19th-century Tbilisi Portrait School artworks\, preserved at the Shalva Amiranashvili State Museum of Arts of Georgia. This collection includes portraits of contemporary Georgian residents\, such as kings\, queens\, princes\, nobles\, military officers\, officials\, and citizens. \nThroughout the history of Georgian art\, various artistic styles were influenced by diverse cultural traditions\, due to Georgia’s geographical location and the unique circumstances often faced by smaller nations. In the second half of the 18th century and the first half of the 19th century\, influences from the Eastern-Islamic and Western-European worlds were evident in Georgian lifestyle and Georgian art. Tbilisi\, Georgia’s capital\, was also a multicultural hub\, with people from different backgrounds bringing their customs and ethnic cultures. Consequently\, by the early 19th century\, the expressive style of the Tbilisi portrait school reflected a fusion of various artistic traditions. \nAmong the roots of this school\, a distinctly Georgian influence stands the long-standing tradition of secular portraits in Georgian medieval wall painting. Iranian art also played a significant role. Furthermore\, the stylistic character of the Tbilisi portrait school was undoubtedly shaped by the impact of European easel painting and the evolution of Georgian parade portraits in the late 18th century. Around 200 works from this school survive in Georgia today\, known for their typicality\, generalization\, and universality. \nBy the end of the 18th century\, there was a certain fusion between the incoming influences and those traditionally rooted in the Middle Ages\, creating a highly noteworthy art form. With Russia’s arrival\, not only was the monarchy abolished\, and the church stripped of its autonomy\, but the entire social order was disrupted. In art\, this was expressed through a new reorganization—we see yet another wave of European influence arriving and\, once again\, meeting with local traditions. This begins in the late 1820s\, as a rise to a very intriguing phenomenon. We call it the Tbilisi portrait\, although it appears to extend beyond just Tbilisi. Today\, this phenomenon is quite well-known. We know that many artists were involved\, yet still\, there are no names or surnames attached to the works. In several pieces\, we see the blending of Georgian and Armenian visual traditions and unifying elements—sometimes a hint of Eastern influence\, sometimes a sudden return to the old\, our own\, medieval juxtapositions. It is interesting to see how this phenomenon connects to the circle of artists who emerged on the scene at the end of the 19th century. \nThis text is based on Dimitri Tumanishvili’s book Georgian Art of the 20th Century and Its Historical Context. \n 
URL:https://art.gov.ge/en/event/georgian-portrait-painting-of-the-19th-centure/
LOCATION:Dimitri Shevardnadze Georgian National Gallery\, 11 Rustaveli ave\, Tbilisi\, Georgia\, 0108
CATEGORIES:Classics,Exhibitions,Galleries,Invitation
ATTACH;FMTTYPE=image/jpeg:https://art.gov.ge/wp-content/uploads/2024/11/ucnobi-avtori-baneri-157x295-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tbilisi:20240920T180000
DTEND;TZID=Asia/Tbilisi:20240929T180000
DTSTAMP:20260611T085736
CREATED:20240920T063544Z
LAST-MODIFIED:20240920T064220Z
UID:24501-1726855200-1727632800@art.gov.ge
SUMMARY:Davit Abesadze’s Retrospective Exhibition
DESCRIPTION:  \nFrom September 20 to September 29  the Dimitri Shevardnadze National Gallery hosts  David Abesadze’s Retrospective Exhibition  \nDavit Abesadze (b. 1966) is a notable figure from the generation of artists emerging in the 1990s.  \nHe is an intriguing and impressive artist whose work is characterized by expressiveness and a distinctive vision of the world. As it seems\, the life of a painter itself is involved in creating an interesting environment for his work –  The family took care of the hearing impaired artist from birth. Following the death of his parents\, Abesadze led a reclusive life\, with minimal involvement in the art world.  \nDavit Abesadze’s solo retrospective exhibition at the Dimitri Shevardnadze National Gallery is being held for the first time.
URL:https://art.gov.ge/en/event/davit-abesadzes-retrospective-exhibition/
LOCATION:Dimitri Shevardnadze Georgian National Gallery\, 11 Rustaveli ave\, Tbilisi\, Georgia\, 0108
CATEGORIES:Exhibitions,Galleries,Invitation
ATTACH;FMTTYPE=image/jpeg:https://art.gov.ge/wp-content/uploads/2024/09/IMG_2304.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tbilisi:20240906T100000
DTEND;TZID=Asia/Tbilisi:20241103T180000
DTSTAMP:20260611T085736
CREATED:20240831T130039Z
LAST-MODIFIED:20240901T135744Z
UID:24358-1725616800-1730656800@art.gov.ge
SUMMARY:Beyond the Homeland
DESCRIPTION:  \nFrom September 6 to November 3\, the Dimitri Shevardnadze National Gallery presents\nBeyond the Homeland\, a joint exhibition featuring the works of immigrant artists Felix\nVarlamishvili\, Vera Pagava\, Vano Enoukidze\, and Michel Bilanichvili. \nThe exhibition highlights the artworks of these four artists\, who left Georgia for various\nreasons in the 1920s. They grew up in exile and established themselves as French\nartists; as a result\, none of them returned to Georgia\, instead living and working in\nParis. During that period\, Western culture was in a state of flux\, which is reflected in\ntheir art. However\, despite being shaped within the same artistic environment\, the works\nof these four artists are distinctly different from one another. \nThe artworks are collected from Georgian and European private collections.
URL:https://art.gov.ge/en/event/beyond-the-homeland/
LOCATION:Dimitri Shevardnadze Georgian National Gallery\, 11 Rustaveli ave\, Tbilisi\, Georgia\, 0108
CATEGORIES:Exhibitions,Galleries,Invitation
ATTACH;FMTTYPE=image/jpeg:https://art.gov.ge/wp-content/uploads/2024/08/flx.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tbilisi:20240905T100000
DTEND;TZID=Asia/Tbilisi:20240915T180000
DTSTAMP:20260611T085736
CREATED:20241004T080849Z
LAST-MODIFIED:20241004T080849Z
UID:24566-1725530400-1726423200@art.gov.ge
SUMMARY:Returned Collections 2021-2023
DESCRIPTION:  \n  \nFrom September 5 to September 15\, the Dimitri Shevardnadze National Gallery hosted an exhibition. The exhibition showcased artworks from Georgian museums that were taken between 1993 and 2010 and have been recently returned. \nThe collection features pieces by renowned Georgian artists such as Sergo Kobuladze\,Elene\nAkhvlediani\, Apolon Kutateladze\, Edmond Kaladadze\, Dimitri Khakhutashvili\, Guram\n(Khita) Kutateladze\, Givi Toidze\, Irakli Sutidze\, Levan Lagidze\, Zaza Berdzenishvili\,\nZaur Golava\, Tamaz Kakabadze\, Rusudan Petviashvili\, Temo Japaridze\, Otar Sulava\,\nMedea Bakradze\, Vazha Melikishvili\, Nodar Topuria\, Simon Girkelidze\, Neli Aleksidze\,\nTengiz Tskhondia\, Omar Kachkachishvili\, Guram Navrozashvili\, Grigol Chirinaishvili\,\nShota Lejava\, Zaur Deisadze\, Kote Chankvetadze\, and Gela Mandzhavidze. \nAmong the returned pieces is an 18th-century still life by an unknown Russian academic artist\, originally acquired by the Museum of Fine Arts in the 1930s under the attribution of Jean-Baptiste-Siméon Chardin. The museum recovered the painting\, which had been stolen during a 1994 armed robbery\, in 2023. \nThe National Gallery has recently reclaimed several important works by artists such as Grigory Gagarin\, Lev Lagorio\, Karl Zhukovsky\, Yevgeny Lanceray\, and Boris Vogel. These pieces are of great historical\, ethnographic\, and artistic significance for Georgia. Originally housed in the Russian Academy of Arts\, these works were returned to the National Gallery in 2021 after being absent for 18 years\, thanks to the efforts of the Ministry of Culture of Georgia. \n 
URL:https://art.gov.ge/en/event/returned-collections-2021-2023/
LOCATION:Dimitri Shevardnadze Georgian National Gallery\, 11 Rustaveli ave\, Tbilisi\, Georgia\, 0108
CATEGORIES:Classics,Exhibitions,Galleries
ATTACH;FMTTYPE=image/jpeg:https://art.gov.ge/wp-content/uploads/2024/10/პოსტერ-არტ.გოვ.ჯი.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tbilisi:20240903T100000
DTEND;TZID=Asia/Tbilisi:20240915T180000
DTSTAMP:20260611T085736
CREATED:20240829T123448Z
LAST-MODIFIED:20240829T123448Z
UID:24349-1725357600-1726423200@art.gov.ge
SUMMARY:Misha Iashvili 70
DESCRIPTION:  \nFrom September 3 to September 15\, The Dimitri Shevardnadze National Gallery\, with the support of the Ministry of Culture and Sports of Georgia\, present Misha Iashvili 70\, the solo exhibition of Mikheil Iashvili. \nIn the 1980s\, a new generation of artists brought a significant shift in the Georgian art scene. They redefined it with innovative forms and content\, reviving once-forgotten traditional and religious themes. This period is characterized by a reinterpretation of artistic forms and a passionate pursuit of individual creativity\, which defines the essence of Georgian painting from this era. \nMikheil (Misha)  Iashvili (1954-2012) was an exceptionally charismatic artist of his generation. He graduated from the Tbilisi State Academy of Arts in 1979 and continued his studies in the creative workshop of Ucha Japaradze from 1981 to 1983. Iashvili was a leading member of the Union of Artists of Georgia from 1989 to 1999. In the 1990s\, he also served as president of the artists’ club Pirosmani\, and from 2009 to 2012\, he was a visiting professor at the Tbilisi State Academy of Arts. \nMikheil Iashvili’s biography is as dynamic and multifaceted as his art. Not only was he a prolific artist\, but he also organized numerous projects and exhibitions both in Georgia and internationally. His influence extended well beyond his creative works. The art events he curated – whether in bustling cities\, remote villages\, or the courtyards of Old Tbilisi – were often spontaneous and celebrated as true artistic festivities. As his friends recall\, Misha was a passionate visionary\, exceptionally dedicated and effective in realizing his ideas\, yet also an irrepressible romantic… \nMikheil Iashvili’s artistic output is remarkably diverse\, encompassing paintings\, graphics\, collages\, and a range of styles and experiments.  Each piece bears the imprint of his distinctive vision\, imbued with a subtle charm.  Throughout his career\, he has participated in approximately 160 exhibitions\, both nationally and internationally. His work has been displayed in numerous countries\, including Germany\, Switzerland\, Norway\, France\, Italy\, Japan\, Poland\, Hungary\, Malta\, and Egypt\, with 16 of these being solo exhibitions
URL:https://art.gov.ge/en/event/misha-iashvili-70/
LOCATION:Dimitri Shevardnadze Georgian National Gallery\, 11 Rustaveli ave\, Tbilisi\, Georgia\, 0108
CATEGORIES:Exhibitions,Galleries,Invitation
ATTACH;FMTTYPE=image/jpeg:https://art.gov.ge/wp-content/uploads/2024/08/Iashvili-INVITATION.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tbilisi:20240719T180000
DTEND;TZID=Asia/Tbilisi:20240811T180000
DTSTAMP:20260611T085736
CREATED:20240708T093534Z
LAST-MODIFIED:20240708T141151Z
UID:23624-1721412000-1723399200@art.gov.ge
SUMMARY:Vaho Muskheli - Rubicon
DESCRIPTION:  \nThe Dimitri Shevardnadze National Gallery and Art Gallery Vanda\, with the support of the Ministry of Culture and Sports of Georgia\, present Rubicon\, the solo exhibition of Vaho Muskheli (Vakhtang Muskhelishvili). The project is curated by Vanda Mujiri. \nThe exhibition will present paintings and graphic works created in the last five-year period by Vaho Muskheli. \nVaho Muskheli (Vakhtang Muskhelishvili) was born in 1957 in Tbilisi. After graduating from the Tbilisi Academy of Arts\, he continued to work independently. In the 1990s\, he moved to the United States\, where he has lived for 30 years. Currently\, Vaho Muskheli resides in Seattle and is a prominent artist in America and his homeland. His works are held in state and private collections in many countries. \nVaho Muskheli’s artistic vision is unique; he perceives things differently. In his work\, every topic he addresses stems from reality. Each canvas reflects his feelings\, illustrating the emotions he communicates to himself and his audience. Muskheli’s relationship with the canvas is akin to his relationship with the entire world\, making it impossible to convey everything in just one word. Each painting is a single word of a story\, and the artist’s entire body of work is the grand narrative he tells us about the world. \nMuskheli is particularly fascinated by “the challenges of researching the illusions of the three-dimensional world and the flatness of the canvas\, mediating between worlds to achieve an interworld feeling.” This is why his works are notable for their monumentality. His expressive language\, focusing on human and animal forms\, represents fantastic realism with strong elements of personal symbolism\, according to the artist himself. \n– Vanda Mujiri \n“No one but time should grant you the title of an Artist. It is a time that must be filled with hard work and the search for new things\,” says Vaho Muskheli. \n„What are the main impulses of my theme? \nMan and the environment – exploring man’s function in a changing world and how his psyche evolves with these changes\, emphasizing their interdependence; \nThe sense of the temporality of human physical existence and agnosticism in vast and endless space; \nA man’s fall to the deepest bottom and the desire to fight and climb back up; \nThe human body\, especially its dynamics of motion\, is a narrative of the world. Human body motion can provide answers to endless unanswered questions. The human body holds the mystery of understanding the world\, the mystique of solitude\, and the choice of a free mind. \nEach seemingly insignificant gesture is a word in a complex sentence. Our choice of sentences shapes the story we create. \nSooner or later\, everyone finds themselves at the edge of a river\, like Caesar once upon a time\, where they must make a choice\, that can either unleash the monster of ignorance or hold the kindness of the world just in the palm of their hand. Everyone has to cross their own Rubicon.“ \n– Vaho Muskheli \nThe exhibition will open on Friday\, July 19\, at 18:00 and will run until August 11\, 2024. \nAddress: The Dimitri Shevardnadze National Gallery\, Rustaveli Ave. 11\, Tbilisi
URL:https://art.gov.ge/en/event/vaho-muskheli-rubicon/
LOCATION:Dimitri Shevardnadze Georgian National Gallery\, 11 Rustaveli ave\, Tbilisi\, Georgia\, 0108
CATEGORIES:Exhibitions,Galleries
ATTACH;FMTTYPE=image/jpeg:https://art.gov.ge/wp-content/uploads/2024/07/V.Muskheli-WEB-POSTER.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tbilisi:20240608T100000
DTEND;TZID=Asia/Tbilisi:20240714T180000
DTSTAMP:20260611T085736
CREATED:20240606T104108Z
LAST-MODIFIED:20240607T204234Z
UID:23211-1717840800-1720980000@art.gov.ge
SUMMARY:Sophia Cherkezishvili : And then she said maybe
DESCRIPTION:  \nThe Dimitri Sheverdnadze National Gallery of Georgia hosts the exhibition of the artist Sophia Cherkezishvili – “And then she said maybe” \nI dedicate this story to trees I imagine can fly\, \nTo bridges and labyrinths\, I shall construct with certainty\, \nFairy tales\, I’m sure to believe in\, \nand to the bells\, I’ll probably hear. \nThis is how the artist explains the main idea and building principle of the exhibition. In addition to 28 paintings\, the exhibition includes an installation – “Trees always stand by you”. \nSophia Cherkezishvili was born in 1971. In 1990\, she graduated from Nikoladze Art College\, Tbilisi Art School named after Jacob Nikoladze\, and in 1994 – Tbilisi State Academy of Art. \nSophia Cherkezishvili was on of the first in a group of artists to study in the West after the collapse of the Soviet Union. From 1994 to 1998\, she studied at the Gerrit Rietveld Academy in Amsterdam\, Holland. Afterward\, she returned to Georgia and began working actively in the field of art. She taught at the Jacob Nikoladze Art School from 1999 to 2006 and at the Faculty of Fine Arts of the Tbilisi State Academy of Arts from 2010 to 2018. Since 2006\, she has been a professor of audio-visual and media arts\, Audio-visual and Media Art department at the Georgian Institute of Public Affairs (GIPA). \nSophia Cherkezishvili has been actively participating in various international and local exhibitions and projects since 2000. Most of her work consists of her own projects with a distinctive and recognizable style. Her most famous projects include: “Why Does the Grass Grow on My Head?”; “One Minute Is Quite Enough to See All Life”; “On the Mind of Caucasus Mountains”; and “If Needed\, Ships Also Stop.” In this series\, the artist explores her fictional\, other self\, creating aesthetic forms and messages. Through her picture-ikons\, we can hear the voices of women. \nSophia Cherkezishvili sees the artist’s free will as a metaphysical spiritual phenomenon. She revisits something already perceived or experienced to focus attention on it and make it an object of reflection. \nThe exhibition will be available for viewing from June 8 to July 14. \nThe official opening ceremony will be held on June 15 at 18:00.
URL:https://art.gov.ge/en/event/sophia-cherkezishvili-and-then-she-said-maybe/
LOCATION:Dimitri Shevardnadze Georgian National Gallery\, 11 Rustaveli ave\, Tbilisi\, Georgia\, 0108
CATEGORIES:Exhibitions,Galleries,Invitation
ATTACH;FMTTYPE=image/jpeg:https://art.gov.ge/wp-content/uploads/2024/06/cherkezishvili.jpg
ORGANIZER;CN="Georgian%20National%20Gallery":MAILTO:gng.exhibition@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tbilisi:20240530T100000
DTEND;TZID=Asia/Tbilisi:20240630T180000
DTSTAMP:20260611T085736
CREATED:20240224T161402Z
LAST-MODIFIED:20240224T162151Z
UID:22514-1717063200-1719770400@art.gov.ge
SUMMARY:A WOMAN ARTIST: THE FACE OF THE ERA
DESCRIPTION:  \nA WOMAN ARTIST: THE FACE OF THE ERA\nDiscover the works of Georgian women artists from the past century to the present day. \nIn May 2024\, the Pesti Vigadó halls will host an exhibition titled A Woman Artist: The Face of the Era\, the first-ever event in Hungary to introduce the art of Georgian women of the last century and current millennium to the Hungarian audience and to celebrate Georgia’s Independence Day on May 26. The show will last till the end of June. \nThe exhibition will feature works by Helene Akhvlediani\, Ketevan Maghalashvili\, Tamara Abakelia\, Esma Oniani\, Lia Shvelidze\, and Sopho Cherkezishvili\, representing four generations of Georgian women artists. The show\, spanning 100 years (1924–2024)\, unites pieces of Modernist and Socialist Realism art\, as well as non-ideological art of the Thaw period\, and Postmodern art. \nPieces united under the theme A Woman: A Symbol of Modernization showcase mostly the first half of the twentieth century\, which enables the audience to explore the works of those artists who themselves became the harbingers of emancipation. Another set of works by contemporary women artists exploring the postmodern woman’s inner self\, her loneliness and fragility\, and her desire for independence falls under the broad theme of A Woman as the Main Motive in Art. \nAll artistic trends and movements that emerged in Georgia despite the isolation of the Soviet era and the challenges of the young nation’s self-identity demonstrate a strong alignment between Georgian and European cultures. \nThe exhibition of Georgian painters is being hosted by Pesti Vigadó for the first time. The majority of the exhibits come from the Georgian National Museum of Art and the Georgian National Gallery’s collections\, as well as the artists’ collections. \nThe event is organized by the Ministry of Culture and Sport of Georgia in collaboration with the Embassy of Georgia to Hungary\, the Hungarian Academy of Arts\, and the Pesti Vigado. \nThe Georgian National Gallery is the curator of the exhibition
URL:https://art.gov.ge/en/event/a-woman-artist-the-face-of-the-era/
LOCATION:PESTI VIGADÓ\, Budapest\, Vigadó tér 2\, 1051 Hungary\, Budapest
CATEGORIES:Classics,Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://art.gov.ge/wp-content/uploads/2024/02/JPG-FOR-ONLINE-PHOTOS-scaled-e1708790184636.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tbilisi:20240528T100000
DTEND;TZID=Asia/Tbilisi:20241223T180000
DTSTAMP:20260611T085736
CREATED:20240522T125408Z
LAST-MODIFIED:20241005T005703Z
UID:23154-1716890400-1734976800@art.gov.ge
SUMMARY:Children in Georgian Painting
DESCRIPTION:From May 28\, 2024 to September 23\, 2024\, the Sighnaghi Museum of History and Ethnography will host the exhibition – Children in Georgian Painting. \nThe exhibition organized by the International Children’s Fund aims to showcase the evolving public understanding of the unique phenomenon of children and childhood in fine art. \nThe Sighnaghi Museum of History and Ethnography hosts a retrospective exhibition of paintings and graphic works on the theme of children from the collection of the Shalva Amiranashvili State Museum of Art of Georgia. \nKeeping pace with the chronicles of human fine art\, the history of Georgian art comprises a unique collection of children’s images\, created by both Georgian and foreign artists residing in Georgia. Most of these works are of the highest museum value of our national culture\, and the public will see them for the first time. \nThe exhibition commemorating the International Day of Children’s Protection serves as another reminder to society that children are always important symbols of the world\, and the elder generation must provide a secure environment for them. \nCurator: Irine Abesadze \nThe exhibition is organized by the Children’s International Fund. \n 
URL:https://art.gov.ge/en/event/children-in-georgian-painting/
LOCATION:Sighnaghi Museum of History and Ethnography\, Shota Rustaveli # 8\, Sighnaghi\, Georgia
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://art.gov.ge/wp-content/uploads/2024/05/IMG_1864.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tbilisi:20240407T180000
DTEND;TZID=Asia/Tbilisi:20240527T180000
DTSTAMP:20260611T085736
CREATED:20240328T120835Z
LAST-MODIFIED:20240521T203837Z
UID:22642-1712512800-1716832800@art.gov.ge
SUMMARY:The Exhibition of Ceramic Artists
DESCRIPTION:  \nFrom April 7 to May 1\, 2024\, the Dimitri Shevardnadze National Gallery of Georgia will host a show – The Exhibition of Ceramic Artists. The exhibition will feature the diverse works created across different mediums by esteemed contemporary Georgian artists\, including Lia Bagrationi\, Nato Eristavi\, Otar Vepkhvadze\, Gigisha Pachkoria\, Gia Miminoshvili\, Lali Kutateladze\, and Malkhaz Shvelidze. \nThe exhibition aims to showcase the artists’ works\, installations\, or compositions based on their personal interests\, with no limitations on the choice of materials. However\, it is essential that the artists employ or present clay in their works to some extent. \nCurator: Lali Kutateladze
URL:https://art.gov.ge/en/event/the-exhibition-of-ceramic-artists/
LOCATION:Dimitri Shevardnadze Georgian National Gallery\, 11 Rustaveli ave\, Tbilisi\, Georgia\, 0108
CATEGORIES:Exhibitions,Invitation
ATTACH;FMTTYPE=image/jpeg:https://art.gov.ge/wp-content/uploads/2024/03/FB-banner2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tbilisi:20240314T180000
DTEND;TZID=Asia/Tbilisi:20240414T180000
DTSTAMP:20260611T085736
CREATED:20240312T080909Z
LAST-MODIFIED:20240312T232154Z
UID:22620-1710439200-1713117600@art.gov.ge
SUMMARY:Irakli Gamrekeli 130
DESCRIPTION:  \nCelebrating 130 Years of Irakli Gamrekeli’s Artistic Legacy in a Captivating Exhibition \nThis year marks the 130th anniversary of the birth of the distinguished Georgian artist\, illustrator\, and scenographer\, Irakli Gamrekeli. \nArt Phuti (NNLE) is organising a retrospective exhibition featuring the works of Irakli Gamrekeli at the D. Shevardnadze National Gallery. The exhibition is scheduled to run from March 14 to April 14\, 2024. \nIrakli Gamrekeli stands out as a prominent figure in the Georgian avant-garde movement. His artistic prowess is most vividly manifested in the realm of scenography. His distinctive style\, characterised by exaggerated theatrical gestures and facial expressions\, can be described as an expressionist form of mannerism. \nIrakli Gamrekeli stands as one of the founding figures of Georgian theatre art. Collaborating with fellow innovators in Georgian theatre\, Konstantine (Kote) Marjanishvili and Alexander (Sandro) Akhmeteli\, he played a crucial role in establishing the theoretical foundations of the field. Through a combination of innovative explorations and bold experiments\, they revitalised the traditions of Georgian spectacular theatre. \nThe aim of the jubilee exhibition dedicated to Irakli Gamrekeli is to showcase\, once again\, all stages of the artist’s creativity and highlight his significant contributions to the development of Georgian fine art and scenography. \nFor the first time\, the exhibition will feature Irakli Gamrekeli’s works from the early period of scenography\, along with previously unknown examples of book graphics\, sketches of the artist’s designed opera and ballet performances\, and a video collage that emphasises Irakli Gamrekeli’s contributions to film painting. \nThe exhibition showcases artworks by Irakli Gamrekeli from diverse collections\, including those from the Shalva Amiranashvili State Museum of Art\, Art Palace\, Rustaveli National Theatre\, and Marjanishvili Drama Theatre. Additionally\, pieces are featured from the collections of Gamrekeli Gallery and the private collections of Archil Darchia\, Maka\, and Eka Arbolishvili. \nAll the organisations and individuals mentioned above played an active role in the collaborative effort to produce the anniversary book album honouring the work of Irakli Gamrekeli. The electronic version of this publication was prepared with the backing of the Ministry of Culture and Sports of Georgia. \nExhibition Opening: March 14 at 18:00 \nAddress: D. Shevardnadze National Gallery\, Shota Rustaveli Ave.\, N11\, Tbilisi. \nProject Head: Khatuna Kikvadze
URL:https://art.gov.ge/en/event/irakli-gamrekeli-130/
LOCATION:Dimitri Shevardnadze Georgian National Gallery\, 11 Rustaveli ave\, Tbilisi\, Georgia\, 0108
CATEGORIES:Classics,Exhibitions,Invitation
ATTACH;FMTTYPE=image/jpeg:https://art.gov.ge/wp-content/uploads/2024/03/Gamrekeli-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tbilisi:20240314T180000
DTEND;TZID=Asia/Tbilisi:20240331T180000
DTSTAMP:20260611T085736
CREATED:20240225T140524Z
LAST-MODIFIED:20240226T004838Z
UID:22585-1710439200-1711908000@art.gov.ge
SUMMARY:George Chachanidze Retrospective
DESCRIPTION:  \n“I think one of the missions of art is to quickly help negative events and reanimate “fallen asleep” energies\, which are crucial for human development…” \nGeorge Chachanidze (born 1965) graduated from the Tbilisi Academy of Arts (1984–1989). He has been a member of the Georgian Artists Union since 1997. Pedagogical activity holds an important place in his career; since 2007\, he has been working at Tbilisi State Academy of Arts as a painting teacher at the fine arts faculty. He has been the professor of the same academy since 2014. \n“It is important to me that the individual handwriting adaptation process in real time is harmoniously presented in the object of art.. which represents the reflection process of modern art tendencies with the help of traditional easel painting mediums… \nEach artist has their own expressive language. The painter is responsible for the world outlook of society\, and he chooses how to approach the viewer: his work echoes dogmatic\, traditional aesthetic frames or offers them an unexpected moves…” \nGeorge Chachanidze’s paintings offer viewers exactly such unexpected solutions: a color palette built on acute contrasts\, abstract\, expressive form\, and unusual compositions. His work is an attempt at the “aestheticization of rational and\, at the same time\, sensual.”. \nPaintings are the main remedy for the artist’s self-expression; however\, graphic work and illustration are equally important in his ouevre. He has been collaborating as a painter-illustrator with those publishing houses: Our Writing\, Omega\, Criminal Chronicles\, Flag\, Morning\, and Bakmi. He was named the best painter of magazine Our Writing in 2009. He was nominated for the Astrid Lindgren Award in 2020. 2021\,  He became laureate in nomination: The best illustrations for literature Holy Scriptures\, New Testament\, Vita Nova.
URL:https://art.gov.ge/en/event/giorgi-chachanidze-retrospective/
LOCATION:Dimitri Shevardnadze Georgian National Gallery\, 11 Rustaveli ave\, Tbilisi\, Georgia\, 0108
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://art.gov.ge/wp-content/uploads/2024/02/FB.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tbilisi:20240213T100000
DTEND;TZID=Asia/Tbilisi:20250213T180000
DTSTAMP:20260611T085736
CREATED:20240204T143358Z
LAST-MODIFIED:20240224T163331Z
UID:22417-1707818400-1739469600@art.gov.ge
SUMMARY:Pirosmani's Masterpieces Return: A Renewed Exhibition
DESCRIPTION:  \nAlmost a year later\, Niko Pirosmanashvili’s works have returned from international exhibitions. Starting February 9\, 2024\, the newly renovated exhibition space at the Dimitri Shevardnadze National Gallery welcomes you to a new showcase of the artist’s work. The exhibition will feature approximately 20 works\, including Pirosmanashvili’s masterpieces such as Fisherman in a Red Shirt\, Giraffe\, Actress Margarita\,Ortachala Beauties\,and others. \nIn the 2023–2024 period\, Niko Pirosmanashvili’s paintings were showcased in four internationally acclaimed modern art exhibition centers. His first solo exhibition in Northern Europe took place at the Louisiana Museum of Modern Art (Humlebeck\, Denmark)\, featuring around 50 works from the Collection of Sh. Amiranashvili Fine Art Museum of Georgia. The exhibition drew 250\,000 visitors in four months before continuing to the Beyeler Museum (Basel\, Switzerland). Pirosmani’s works were also featured in two significant exhibitions organised as part of the international festival Europalia Georgia in Brussels\, Belgium: Avant-Garde in Georgia\, 1900–1936 at the Bozar Centre for Fine Arts and Georgia: Meeting Place at the Museum of Art and History.
URL:https://art.gov.ge/en/event/pirosmanis-masterpieces-return-a-renewed-exhibition/
LOCATION:Dimitri Shevardnadze Georgian National Gallery\, 11 Rustaveli ave\, Tbilisi\, Georgia\, 0108
CATEGORIES:Classics,Exhibitions,Galleries,Invitation
ATTACH;FMTTYPE=image/jpeg:https://art.gov.ge/wp-content/uploads/2024/02/pirosman.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tbilisi:20240207T100000
DTEND;TZID=Asia/Tbilisi:20241007T180000
DTSTAMP:20260611T085736
CREATED:20240204T183942Z
LAST-MODIFIED:20250201T053051Z
UID:22448-1707300000-1728324000@art.gov.ge
SUMMARY:Sculpture Collection
DESCRIPTION:  \nThe National Gallery presents a sculpture exhibition on the second floor\, alongside the renewed permanent exhibition of Pirosmani. This new sculpture exposition integrates artworks from the recently acquired National Museum collection and the National Museum’s sculpture collection. The exhibition showcases the key visual features of Georgian round sculpture over its 100-year history in a more compact format. \nEach of the founders of Georgian round sculpture\, Jacob Nikoladze and Nikoloz Kandelaki\, will be represented by a single statue. These artists played a pivotal role in establishing the groundwork for the modern Georgian school of sculpture\, each contributing unique and distinctive creative methods to the field. \nShowcasing the transformative era of the 1960s\, the exhibition highlights sculptors who ushered in a qualitative transformation in Georgian sculpture. Karlo Grigolia\, a prominent figure from this generation\, will be represented by two sculptures\, including the premiere display of his Abstract Composition. \nThe exhibition will also feature works by Vazha Melikishvili and Rusudan Gachechiladze\, who emerged on the artistic scene in the 1970s. Regarding the first\, we witness the visualisation of transcendental thinking\, detached from materiality; and in the case of the latter\, magical artefacts reveal the transformation of the intermediate plaster matrix into the final material through colour manipulation. \nTwo works by Simon Girkelidze\, an artist from the 1970s\, will be a revelation for viewers. Notably\, The Soviet Dog\, depicting a stray dog\, carries ironic connotations about the Soviet economy. Naturally\, it was prohibited from exhibition during the Soviet period. \nVisitors will have the opportunity to view sculptures by two contemporary artists\, Roko Iremashvili and Levan Kipshidze\, whose works have been displayed in the gallery’s public space for some time. \nThe upcoming inclusion of Tamar Abakelia’s iconic work\, We Take Revenge\, cast in modern materials\, into the mentioned sculpture collection adds considerable significance to this exhibition. We highly value the participation of this distinguished Georgian sculptor\, whose creative legacy undoubtedly deserves more attention today. \nAmong the exhibitions hosted by the National Gallery in the past two years\, the solo exhibition of several sculptors was especially significant. These exhibitions broadened public exposure to the works of highly esteemed artists\, who were formerly acknowledged only within a limited circle of specialists. \nIn upcoming exhibitions\, the National Gallery will present alternative interpretations of the developmental and transformative processes of the plastic form. \nThe Dimitri Shevardnadze National Gallery is currently featuring new sculptures on its second floor\, including works by Tamar Abakelia (1905–1953)\, Gulda Kaladze (1932–1974)\, Djemal (Djoti) Bzhalava (b. 1944)\, and Rocko Iremashvili (b. 1979). \nTamar Abakelia’s sculpture The Collective Farmer’s Family\, originally created in 1939\, has been transferred to solid material for the first time. The motif of a family\, recurring in Abakelia’s work\, also appears in her high-relief frieze at the Institute of Marxism-Leninism (IMEL). \nIn 1955\, two years after Abakelia’s death\, The Collective Farmer’s Family and another relatively small-scale piece\, Sister of Mercy\, were acquired by the Art Museum of Georgia. In March 2024\, with support from the Ministry of Culture and Sports of Georgia\, the National Gallery of Georgia began the restoration of these two sculptures\, which had deteriorated over time. The original plaster models were cast in polyester and bronze for the first time. The restoration included The Collective Farmer’s Family and Abakelia’s renowned statue We Will Take Revenge\, both of which were transferred to polyester and bronze. \nTamar Abakelia (1905–1953) was a versatile artist known for her talents in sculpture\, graphic design\, painting\, illustration\, theatre\, and cinema. She was Georgia’s first female monumentalist and belonged to the first generation of sculptors graduating from the Tbilisi Academy of Arts\, completing her studies in 1929 under the guidance of Jacob Nikoladze\, Nikoloz Kandelaki\, Joseph Charlemagne\, and Eugeny Lanceray. \nIn 1936–1937\, Abakelia created high reliefs for the frieze of IMEL’s pediment\, playing a pivotal role in reviving relief sculpture traditions in Georgia. As the Second World War began\, patriotic themes increasingly influenced her work. One of her most iconic wartime sculptures is We Will Take Revenge! depicting a mother grieving the loss of her child to war. \nGulda Kaladze’s sculpture “Vintage” (1972)\, originally in coloured plaster\, has been restored. \nGulda Kaladze graduated from the Tbilisi Academy of Arts in 1957. His work is distinguished by his experimental approach\, innovative discoveries\, and distinctive artistic vision. While he also made significant contributions to painting and graphics\, sculpture was his true calling. Despite his brief life\, he created a total of seventeen sculptural compositions that fully expressed his creative potential\, characterised by a keen sense of form and refined proportions. \nNotably\, Gulda Kaladze is the son of the renowned Georgian sculptor Tamar Abakelia\, underscoring his deep artistic lineage and heritage. \nDjemal (Djoti) Bzhalava’s work\, Portrait\, 1989\, stone. \nDjemal (Djoti) Bzhalava often explores themes from Georgian history and culture in his artworks. The carved figures of animals and people in stone are inspired by the legends of Caucasian peoples\, mystical tales\, and Greek myths. While searching for archaic forms\, the sculptor maintains the natural integrity of the stone. Since 1991\, Djoti Bzhalava has resided in France\, where his sculptures adorn cities in both Georgia and France. Notably\, his bull sculpture\, installed in the central square of Nîmes in 2018\, stands as a prominent example of his work. \nRocko Iremashvili’s David\, 2024\, polyester. \nRocko Iremashvili is a painter\, sculptor\, and artist who graduated from the Stuttgart State Academy of Arts (2005–2009) and served as a teacher at the Tbilisi State Academy of Arts (2010–2012). \nHis artworks\, spanning painting\, sculpture\, and video\, blend elements of social protest\, sarcasm\, vanity\, and compassion. Each of Rocko Iremashvili’s projects encourages profound reflection. They are characterised by their individualism\, unconventional approach\, and the artist’s relentless pursuit of experimentation in fine art. For Rocko Iremashvili\, art transcends being a mere discipline with didactic functions; instead\, it is an organic component of everyday life. \nThe exhibition continues until early October 2024. \n 
URL:https://art.gov.ge/en/event/sculpture-collection/
LOCATION:Dimitri Shevardnadze Georgian National Gallery\, 11 Rustaveli ave\, Tbilisi\, Georgia\, 0108
CATEGORIES:Classics,Exhibitions,Galleries,Invitation
ATTACH;FMTTYPE=image/jpeg:https://art.gov.ge/wp-content/uploads/2024/02/416349685_1302632030400595_1363006084538228678_n-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tbilisi:20231222T180000
DTEND;TZID=Asia/Tbilisi:20240128T180000
DTSTAMP:20260611T085736
CREATED:20231219T072823Z
LAST-MODIFIED:20231221T045411Z
UID:22231-1703268000-1706464800@art.gov.ge
SUMMARY:MIRO - A RETROSPECTIVE SHOW OF MIRIAN SHVELIDZE'S WORKS
DESCRIPTION:From December 22 to January 28\, 2024\, the Dimitri Shevardnadze National Gallery will feature a solo exhibition of Mirian Shvelidze’s works. This is the first time the gallery has displayed the works of Mirian Shvelidze\, a key figure in the development of new Georgian scenography. \nThe conceptual retrospective\, titled Miro\, presents three main directions of the artist’s creativity: easel painting\, wall painting\, and scenography. Mirian Shvelidze\, a postmodernist artist\, played a pivotal role in the creation of The Artist’s Theatre in the 1960s\, alongside other Georgian scenographers. This innovative theatre emphasized the visual aspect of performances\, giving it equal importance to the dramatic action on stage. \nShvelidze’s artistic contributions are closely tied to the theatre of Robert Sturua. Throughout his life\, he served as the main artist of Rustaveli National Theatre\, providing scenography for landmark productions such as Richard the Third\, King Lear\, Hamlet\, and Is He a Man a Human?!\,  The Misfortune of Darispan and more. \nBeyond Rustaveli Theatre\, Shvelidze collaborated with directors from Marjanishvili\, Gori\, Griboedov Russian Drama\, and Liberty Theatres\, contributing to numerous productions. \nMirian Shvelidze’s exhibition is a project organized by the National Gallery. This is the first time that Tbilisi’s exhibition space is hosting his works. Previous exhibitions were held at the Rustaveli National Theatre and the Tsinandali Museum. \nThe exhibition will open on Friday\, December 22\, at 18:00 and run until January 28\, 2024. \nCurator of the exhibition: Maia Chikvaidze.
URL:https://art.gov.ge/en/event/miro-a-retrospective-show-of-mirian-shvelidzes-works/
LOCATION:Alexandre Bandzeladze and Abstract Art\, Georgia
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://art.gov.ge/wp-content/uploads/2023/12/406311447_1016662366278512_5242344495172813850_n-scaled.jpg
ORGANIZER;CN="Georgian%20National%20Gallery":MAILTO:gng.exhibition@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tbilisi:20231119T180000
DTEND;TZID=Asia/Tbilisi:20231216T180000
DTSTAMP:20260611T085736
CREATED:20231111T074154Z
LAST-MODIFIED:20231112T163623Z
UID:21728-1700416800-1702749600@art.gov.ge
SUMMARY:Thamar de Létay-Vachnadze Exhibition . Georgian National Gallery
DESCRIPTION:  \n \nThamar de Létay-Vachnadze (1925-2001)\, a French scenographer and designer of Georgian origin\, was part of Paris’ creative elite in the 20th century. Her biography became associated with France in the 1930s. Prior to becoming a renowned artist\, she studied under Madeleine Vathier and Bernard Hugues in Paris. \nIn the year 1947\, she entered matrimony with Redjeb Jordania\, the son of Noe Jordania. However\, this marital union proved to be brief and fraught with discontent. In 1952\, the artist\, accompanied by her mother and son\, relocated to Brazil\, leaving behind the bohemian ambiance of Paris. \nThamar de Létay’s successful creative journey began with her exhibition in São Paulo in 1957\, where she displayed her costumes and set designs. In the same year\, her twenty-two costume sketches were displayed at the 4th Biennale of the Museum of Modern Art of São Paulo. During this period\, she also collaborated with the fashion house of Christian Dior in Brazil. In 1963\, a retrospective of Thamar de Létay’s artistic oeuvre was presented at the São Paulo Museum of Modern Art. She was offered to lead the ballet department of the House of Culture of São Paulo but decided to return to Paris\, which marked the start of her Parisian chapter of artistic journey. \nThamar de Létay created costumes and set designs for numerous theaters in France and contributed to productions at the Locarno Festival. Her artistic talents extended to book illustrations\, covering a diverse range of literary genres\, from children’s fairy tales to classical works and contemporary erotic poetry. She also ventured into the world of animated films. In the 1970s and 1980s\, Paris and Luxembourg hosted several solo exhibitions displaying her work\, including prominent venues such as the French Cultural Centre of Luxembourg\, Salon Sofitel Group 36 in Paris\, and Galerie Montparnasse in Paris. \nHer enduring legacy encompasses a vast array of artistic output\, including over three hundred sketches\, thirty canvases\, more than one hundred photographs\, manuscripts\, and an extensive collection of archival materials. In her artistic practice\, the artist adeptly constructed authentic and original scenes upon individual canvases\, often employing a combination of oil\, gouache\, pastel\, and occasionally tempera as her chosen media. Her romantic aesthetic conveys a sense of delicacy\, tenderness\, and poetic allure. \nThamar de Létay had always wished to visit Georgia\, but unfortunately\, she never managed to return to her homeland. She never obtained French citizenship and carried the status of a Georgian refugee with dignity until her passing. This was also recorded in her residence certificate. \n 
URL:https://art.gov.ge/en/event/thamar-de-letay-vachnadze-exhibition-georgian-national-gallery/
LOCATION:Dimitri Shevardnadze Georgian National Gallery\, 11 Rustaveli ave\, Tbilisi\, Georgia\, 0108
CATEGORIES:Classics,Exhibitions,Galleries,Invitation
ATTACH;FMTTYPE=image/jpeg:https://art.gov.ge/wp-content/uploads/2023/11/tamari-choxashi-smal-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tbilisi:20231118T180000
DTEND;TZID=Asia/Tbilisi:20231216T180000
DTSTAMP:20260611T085736
CREATED:20231110T105039Z
LAST-MODIFIED:20231112T114408Z
UID:21705-1700330400-1702749600@art.gov.ge
SUMMARY:Oleg Timchenko: Diagonal 13 . Georgian National Gallery
DESCRIPTION:https://art.gov.ge/wp-content/uploads/2023/11/lv_0_20231110134238.mp4\nOleg Timchenko (born 1957) is one of the founders and active members of the avant-garde group\, The 10th Floor\, in the 1980s and early 1990s. During the Perestroika period\, the artists united in the group reexamined postmodern art and reflected it in their own context. Alongside their artistic responses to contemporary issues\, Oleg Timchenko’s works consistently incorporate themes from history and literature\, romantic-symbolic visions\, and fairy-tale series infused with humour. His characters are sometimes real\, and sometimes so poster like that they resemble symbols or signs. “Reality is replaced by symbols of reality\,” they acquire a new meaning and become inhabitants of the new world created by the artist. \nDiagonal 13 is an exhibition project that was specially created for the space of Dimitri Shevardnadze National Gallery. The central theme revolves around the circus. The tragic destinies of dwarves and clowns\, concealed behind the grandeur of royal courts of the past or the enchanting circus arena\, have inspired artists throughout history\, from Velázquez to Fellini. These masterpieces of creative thought encourage us to ponder not only the fates of individuals but also broader themes of humanism and\, simultaneously\, human cruelty. In this solo exhibition\, Oleg Timchenko portrays the circus theme through various stylistic series that already have become familiar in his career. Consequently\, the artist’s new collection for this exhibition appears as a “stylistic retrospective.”
URL:https://art.gov.ge/en/event/oleg-timchenko-diagonal-13/
LOCATION:Dimitri Shevardnadze Georgian National Gallery\, 11 Rustaveli ave\, Tbilisi\, Georgia\, 0108
CATEGORIES:Classics,Exhibitions,Galleries,Invitation
ORGANIZER;CN="Georgian%20National%20Gallery":MAILTO:gng.exhibition@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tbilisi:20231117T140000
DTEND;TZID=Asia/Tbilisi:20240217T180000
DTSTAMP:20260611T085736
CREATED:20231110T085215Z
LAST-MODIFIED:20231112T091459Z
UID:21679-1700229600-1708192800@art.gov.ge
SUMMARY:The New Collection of the Museum of Fine Art\, 2021-2023. Part IV . Signagi Museum
DESCRIPTION:In the years 2021–2022\, the Ministry of Culture\, Sports\, and Youth of Georgia undertook a substantial expansion of the Shalva Amiranashvili State Museum of Fine Art’s collection\, focusing on modern and contemporary Georgian art. This expansion encompasses the works of 122 Georgian artists\, many of whom had previously been underrepresented within the museum’s holdings. \nThis newly acquired collection offers a compelling narrative of the evolution of Georgian art. It prominently features an extensive collection of graphic works created by artists during the 1950s and 1970s\, with a specific emphasis on those who played pivotal roles in advancing Georgian graphic art. Additionally\, the collection incorporates pieces obtained subsequent to the group exhibition of non-conformist artists at the Sighnaghi Museum. \nThe most significant additions\, however\, are paintings from the 1980s and 1990s\, marking a pivotal juncture in Georgian painting\, signifying a transformative phase. This collection showcases a  selection of distinct artistic choices that elucidate the unique paths each artist undertook to transcend the constraints of their local environment\, thereby amalgamating their personal experiences with contemporary artistic currents. \nNotably\, the Ministry has acquired works by the modernist artist Valerian Sidamon-Eristavi from the 1930s\, including pieces portraying the construction of Baku’s industrial zone. \nSince 2022\, the opportunity has arisen to acquire works by renowned artists such as Sergo Kobuladze\, Alexander Bazhbeuk-Melikyan\, Felix Varlamishvili\, and Kirill Zdanevich\, as well as sculptures by Rusudan Gachechiladze\, Vazha Melikishvili\, Karlo Grigolia\, and Simon Girkelidze. \nThe exposing of the new collection of the modern and contemporary Georgian art of the Sh. Amiranashvili State Museum of Fine Art is a gradual process\, with the fourth exhibition currently taking place at the Sighnaghi Museum from November 17\, 2023\, until February 17\, 2024. \nThe exhibition will feature works by: Lali Zambakhidze\, Avto Meskhi\, Tamaz Varvaridze\, Levan Choghoshvili\, Gia Edzgveradze\, Niniko Morbedadze\, Shalva Matuashvili\, Niko Tsetskhladze\, Karlo Kacharava\, Rusudan Petviashvili\, Tina Tskhadadze-Ratiani. \nThe project manager Alexandra Gabunia\, coordinator Mariam Dvali\, assistants: Irina Shavladze\, Valentina Maglakelidze.
URL:https://art.gov.ge/en/event/the-new-collection-of-the-museum-of-fine-art-2021-2023-part-iv-2/
LOCATION:Sighnaghi Museum of History and Ethnography\, Shota Rustaveli # 8\, Sighnaghi\, Georgia
CATEGORIES:Exhibitions,Galleries,Invitation
ATTACH;FMTTYPE=image/jpeg:https://art.gov.ge/wp-content/uploads/2023/11/ბანერი.jpg
ORGANIZER;CN="Georgian%20National%20Gallery":MAILTO:gng.exhibition@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tbilisi:20231101T180000
DTEND;TZID=Asia/Tbilisi:20231114T180000
DTSTAMP:20260611T085736
CREATED:20231030T070701Z
LAST-MODIFIED:20231030T153556Z
UID:21558-1698861600-1699984800@art.gov.ge
SUMMARY:Solomon Gershov: Self-potrait
DESCRIPTION:  \n“To soar up to the sky and cry out to the whole world about its strangeness and imperfection” – this is how Solomon Gershov (1906-1989)\, artist/graphic artist\, representative of the Russian avant-garde\, saw the artist’s mission. \nSolom Gershov was born in 1906 in Dvinsk (present-day Daugavpils\, Latvia) in a family of Jewish origin and died in 1989 in Leningrad. \nHis creative path is complex and uneven. The period of his formation as an artist is connected with the city of Vitebsk and the famous artistic environment\, which was created in this city first by Yehuda Penn\, and then by Marc Chagall and Kazimir Malevich. Solomon Gershov is their student. Artistically more receptive to Chagall’s line\, less enamored with the radical formalist pursuits of modernism. \nIn 1922\, he moves to Petrograd and again finds himself in an exceptional artistic environment. Here his teacher is Alfred Eberling\, he communicates with Pavel Filonov’s circle… \nLater\, the talented young creator was personally affected by Soviet ideological pressure. There were two exiles – first for three and then for eight years. As a result of repression\, the artist’s work of this period is actually completely destroyed. \nThe artist returned from the second exile in 1956\, was rehabilitated and continued his work with new creative energy. He works hard\, spends money and is still successful\, but mostly abroad. At least in their homeland\, they look at them with suspicion. The leitmotif of his work is the feeling of tragedy in life\, the plight of the Jewish people\, the pain of people repressed by the regime… He often paints separation\, funerals\, Biblical stories. \nExhibitions of his works are organized in Moscow\, Leningrad\, Vitebsk\, London\, Paris\, many cities of the United States… \nIn the 60s\, he lived in Tbilisi for some time\, had exhibitions\, and thanks to this fact\, a significant legacy of the artist was accumulated in Georgia. \nSolomon Gershov collection is presented by Vache Gallery. The exhbition will be opened on the 1st of November at 18:00 and will last till 15 of November\, 2023.
URL:https://art.gov.ge/en/event/solomon-gershov-self-potrait/
LOCATION:Dimitri Shevardnadze Georgian National Gallery\, 11 Rustaveli ave\, Tbilisi\, Georgia\, 0108
CATEGORIES:Classics,Exhibitions,Galleries,Invitation
ATTACH;FMTTYPE=image/png:https://art.gov.ge/wp-content/uploads/2023/10/ელ-ბანერი1-1.png
ORGANIZER;CN="Georgian%20National%20Gallery":MAILTO:gng.exhibition@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tbilisi:20231018T180000
DTEND;TZID=Asia/Tbilisi:20231114T180000
DTSTAMP:20260611T085736
CREATED:20231011T210419Z
LAST-MODIFIED:20231012T161139Z
UID:20606-1697652000-1699984800@art.gov.ge
SUMMARY:Tamaz Varvaridze: A Retrospective . Georgian National Gallery
DESCRIPTION:  \nTamaz Varvaridze is an artist of distinct individualism  from the  generation of 1970s\, adhered to the principles of aesthetic-conceptualism. He is distinguished with unique style and credited as the founder of the contemporary Georgian school of graphics. He has played a pivotal role in educating numerous generations of graphic designers and holds the prestigious title of Emeritus Professor at the Tbilisi State Academy of Art. \nDuring the Soviet times\, the artist mostly created works alien to the ideological context of the Soviet totalitarian era. His artistic pursuit is characterized by the aesthetic organization of composition. Despite the autonomy of individual elements\, the artist builds the system united through abstract interconnections and with  the utmost economy of compositional elements\, creates an internal system that determines the trajectory of contemplation on an abstract and  generalised plane. \nTamaz Varvaridze’s artistic contributions are of undeniable significance when it comes to understanding contemporary Georgian culture. \nCurator Alexandra Gabunia \n 
URL:https://art.gov.ge/en/event/tamaz-varvaridze-a-retrospective-georgian-national-gallery/
LOCATION:Dimitri Shevardnadze Georgian National Gallery\, 11 Rustaveli ave\, Tbilisi\, Georgia\, 0108
CATEGORIES:Classics,Exhibitions,Galleries,Invitation
ATTACH;FMTTYPE=image/jpeg:https://art.gov.ge/wp-content/uploads/2023/10/tamaz-Varvaridze-POSTER.jpg
ORGANIZER;CN="Georgian%20National%20Gallery":MAILTO:gng.exhibition@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tbilisi:20230929T190000
DTEND;TZID=Asia/Tbilisi:20231029T180000
DTSTAMP:20260611T085736
CREATED:20230926T094604Z
LAST-MODIFIED:20230926T110305Z
UID:20152-1696014000-1698602400@art.gov.ge
SUMMARY:PER HESS  / IN THE LIGHT OF NEON / GEORGIAN NATIONAL GALLERY
DESCRIPTION:  \nColour and light concept artist Per Hess\, born in 1946 in Kongsberg\, Norway\, graduated from Oslo’s Art and Craft College and Academy. His career is long-running. The 2013 and 2017 Venice Biennales are among his most important exhibitions. His art addresses high-tech humanitarian challenges and is highly personal. \nPer Hess is the first Norwegian artist to exhibit in the Dimitri Shevardnadze Georgian National Gallery. After receiving invitations from several universities in 1988\, he visited Georgia in 2018 and 2022. This cross-cultural interchange has enriched his work and humanistic outlook. \nThis neon installation uses his artistic invention\, multi-colour neon tubes\, and single-colour neon tubes\, the most common. His perceptions and reflections on light are broad. Metaphysical\, spiritual\, and scientific concerns arise from light and colour changes. This influenced Per Hess’s art. Politics\, philosophy\, ecology\, and universal human experiences are his topics. \nHis social dialogue relies on existential transformation. Art should represent universal values like harmony with nature\, safety\, freedom\, and peace. \n  \nThe exhibition is supported by: OCA – Office for Contemporary Art Norway\, Norwegian Embassy\, Norskebilledkunstnere\, Ingrid Lindbäck Langaards Stiftelse\, Georgian National Gallery\, Ministry of Culture\, Sport and Youth of Georgia. \n  \n  \n 
URL:https://art.gov.ge/en/event/per-hess-in-the-light-of-neon-georgian-national-gallery/
LOCATION:Dimitri Shevardnadze Georgian National Gallery\, 11 Rustaveli ave\, Tbilisi\, Georgia\, 0108
CATEGORIES:Exhibitions,Galleries,Invitation
ATTACH;FMTTYPE=image/jpeg:https://art.gov.ge/wp-content/uploads/2023/09/382793842_704314971739189_7728629689828246289_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Tbilisi:20230915T180000
DTEND;TZID=Asia/Tbilisi:20231015T180000
DTSTAMP:20260611T085736
CREATED:20230912T002035Z
LAST-MODIFIED:20230912T003221Z
UID:20000-1694800800-1697392800@art.gov.ge
SUMMARY:Niniko Morbedadze Exhibition
DESCRIPTION:  \nThis exhibition offers a mid-career survey of Niniko Morbedadze (born in Tbilisi\, 1957)\, showcasing over 100 works created from 1989 up to the present day.  The exhibition is presented by the contemporary art gallery CH64. Curator: Salome Papashvili\, co-founder and director of CH64 Gallery. \nNiniko Morbedadze  studied at the Graphic Art Faculty of the Tbilisi State Academy of Art. Niniko Morbedadze made her international auction debut when her artwork “Beyond Time” was successfully sold at Phillips in London in July 2020. Her second auction sale took place in April 2021\, when “ The Fairy Tale” was successfully sold during the 20th Century & Contemporary Art Day Sale at Phillips\, London. Throughout her career\, Niniko Morbedadze collaborated extensively as a film artist with directors Mikheil Kobakhidze\, Besarion Giorgobian\, Nodar Managadze\, and Giga Agladze. She worked on the film “The Other Me”\, which was executive produced by David Lynch. \nTen of Morbedadze’s canvases are now housed in the collection of Norton and Nancy Dodge at the Zimmerli Museum of Art in New Jersey\, USA. Her works are prominently featured in exhibitions\, are available for sale\, and are held in private collections across Georgia\, Europe\, and the USA.
URL:https://art.gov.ge/en/event/niniko-morbedadze-exhibition/
LOCATION:Georgian National Gallery\, 11 Rustaveli ave\, Tbilisi\, Georgia\, 0179
CATEGORIES:Classics,Exhibitions,Galleries,Invitation
ATTACH;FMTTYPE=image/jpeg:https://art.gov.ge/wp-content/uploads/2023/09/niniko.jpg
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END:VCALENDAR